Leclair was born in Lyon in 1697, and his dream was to become a solo violinist in his own country. But, at this time in France, violin playing was the province of country fiddlers and orchestral players, while the viol was the chosen instrument for the French upper classes. When the Italian violinist-composer, Arcangelo Corelli, published his iconic set of Op. 5 sonatas in 1700, no French violinist was equipped with the technique to perform them.
Having spent a year studying dance and composition in the Italian city of Turin, Leclair moved to Paris, where he soon published his first set of twelve violin sonatas. For a couple of years, he commuted between Paris and Turin in order to study with a former student of Corelli’s, and, over the course of two decades, published three more sets of sonatas, along with the two sets of violin concertos. The concertos are justly celebrated for their blend of French elegance and Italian virtuosity, reflecting not only Leclair’s skill as a renowned violinist, but also his background, which drew on a variety of Europe’s national styles.

